视频简介
奕卫国的太子因为厌恶宫廷的禁锢，独自离宫出走。红袍护法紧跟其后，追随太子的踪迹来到一个与世隔绝的花生镇。花生镇居住着各种奇异的生灵，镇上的居民们个个神情呆滞，并深陷死亡恐惧中，一个巨大的黑花生像幽灵一般漂浮在天空。 当护法闯入花生镇时，不断遭遇当地刑法者的攻击。大护法无暇顾及这个世界的种种怪异现象，孤身其中苦苦寻找太子的踪迹。终于在深山中找到了太子，以为可以和太子一同安全回宫，却又陷入了一场更大的危机中……。A grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。